By Haig Beck, Jackie Cooper
10x10 is a accomplished view of recent structure at the present time. 10 of the world’s best-informed critics each one chosen 10 of the world’s such a lot extraordinary rising architects. the various and leading edge tasks of those a hundred architects make up an inspirational and special selection of contemporary structure. The booklet gains over 250 structures and tasks, together with lately outfitted paintings in addition to initiatives at the moment below development and due for final touch. each one critic additionally contributes an essay solely for this ebook and has chosen 10 works from various genres and media to demonstrate the context within which architects function this day.
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10x10 is a finished view of recent structure this day. 10 of the world’s best-informed critics each one chosen 10 of the world’s such a lot remarkable rising architects. the various and leading edge tasks of those a hundred architects make up an inspirational and distinctive selection of contemporary structure.
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Extra resources for 10 X 10
In his essay, “De la beauté terrifiante et comestible de l’architecture modern style,” published in the surrealist magazine Minotaure in 1933,36 Dali vehemently advocates art noveau, or “Modern Style” architecture. He writes: “I insist here on the essentially extra-plastique character of the Modern Style. For me every use of this style towards ‘plastic’ or pictorial ends imply the most flagrant betrayal of the movement’s irrational and essentially ‘literary’ aspirations. ”37 Dali’s aesthetic of “regression,” from the dominant right angle to the “modern style,” coincides with the appearance in his writings, after 1933, of certain preoccupations—excrement, culinary activity, and regression to an oral, infantile, pregenital sexuality.
Le Corbusier transforms this pleasure principle into the hygienic superego. In her seminal essay “The Sartorial Superego,” Joan Copjec argues that for modernists there was no principle beyond pleasure: “Well, then, does man’s construction of architecture, like everything else, have its origins in pleasure and pain; or does it originate. . in the principle of use? Durand answers economically that it originates in both, and he thereby erects modern architecture on the same equation that Jeremy Bentham used to formulate his utilitarianism.
Slavoj Zizˇek, Looking Awry: An Introduction to Jacques Lacan through Popular Culture (Cambridge, MA: MIT Press, 1992), 161. 7. “[The interpenetration of inner and outer space] became possible to achieve. . in a dwelling. This possibility was latent in the skeleton system of construction, but the skeleton had to be used as Le Corbusier used it: in the service of a new conception of space. ” Siegfried Giedion, Space, Time and Architecture: The Growth of a New Tradition, 5th ed. (Cambridge, MA: Harvard University Press, 1967), 529.
10 X 10 by Haig Beck, Jackie Cooper