By M. Leighton
All of the lovely POSES
He by no means desired to be a hero...until she wanted him to be.
It took Kennedy Moore years to place her existence again jointly after Reese Spencer shattered it. yet she did. Now, years later, robust and self reliant, she is in pursuit of a unmarried dream--to dance with the Altman American Dance Theater. regrettably, Kennedy is studying woman from nowhere with out funds and no contacts may by no means be capable of succeed in her goal.
That is, till Reese reappears, delivering a once-in-a-lifetime chance that Kennedy simply can't refuse. In alternate for engaged on his yacht for a number of brief weeks, he'll get her an audition with the well-known dance troupe. All Kennedy has to do is maintain her head down, work flat out and withstand Reese. That sounds effortless adequate, right?
Reese doesn't have the desire to make it effortless for Kennedy. Seeing her back has all started a fireplace in his blood--an unwelcome one. It took him years to ignore her prior to, so this time he has a plan. It's uncomplicated: Get Kennedy on his yacht, seduce her, get her out of his method, circulate on along with his lifestyles. That sounds effortless sufficient, right?
But the only factor Reese didn't plan for was once Kennedy herself--a woman so powerful but so damaged, she makes him are looking to rescue her, to maintain her. to save lots of her. whether he has to avoid wasting her from himself.
**This is booklet 2 within the sequence, a 304-page novel. even though a few characters might sound from ebook 1, either could be learn as stand-alones, whole with their very own tale line and satisfied finishing. comprises mature subject material. meant for readers 18 and above.**
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Additional info for All the Pretty Poses
59 The subject chosen was in fact an afterthought as recorded by James Northcote: The head of the Count had been painted previous to the year 1771, and ﬁnished on what we painters call ‘a half-length canvas’, and was, in point of expression, exactly as it now stands, but without any intention, on the part of Sir Joshua, of making it the subject of an historical composition, or having the story of Count Ugolino in his thoughts. Being exposed in the picture gallery, along with his other works, it was seen either by Mr.
49 In June 1826 he became the Assistant Keeper of Printed Books at the British Museum, a post which he occupied till December 1837. Cary left it as a result of his disappointment at not having been appointed Keeper of the Printed Books. The post went instead to the Italian Antonio Panizzi, now remembered for the extensive reforms that he introduced in the organisation of the library: Cary’s reaction shows that he still subscribed to the old view that a senior place was a reward for long service or special merits.
As the second section of this book argues, The Vision becomes a palimpsest erased and recomposed by English poets and critics for their own ends; Keats, Shelley and Blake used it as a replacement of the Divine Comedy, inscribed it, but also erased it to rediscover Dante’s own text and his language. This chapter aims to understand the role that The Vision played in the Romantic reception of Dante. Following the approach outlined by the descriptive study of literary translations,3 the focus is on the translation itself and its effects on the receiving culture.
All the Pretty Poses by M. Leighton