By Thomas Hylland Eriksen, Christina Garsten, Shalini Randeria
"The cosmopolitan anthropologist Ulf Hannerz has been engaged for 40 years on a multi-site ethnography of the elaborate internet of relationships that he calls the worldwide ecumene. To this bold, protean venture he has introduced impressive erudition, the insights of the social sciences, and the fashion and sensibility of a humanist." · Adam Kuper, London tuition of Economics
"One of anthropology's so much prescient, capacious, and unique thinkers, Hannerz is exclusive in his worldliness, his genial humanity. He has lengthy epitomized the genius of his self-discipline to solid gentle on a culturally advanced, translocal world." · Jean Comaroff, Harvard college
"This paintings presents an drastically worthwhile temporal viewpoint (in the double experience of either retrospects and customers) on a few key principles from the very unique occupation of Ulf Hannerz. whereas all of the chapters are sincerely stimulated via Hannerz, a few of them push his seminal principles in fascinating new directions." · A. Jamie Saris, nationwide college of eire, Maynooth
"The chapters deliver to gentle the visionary paintings of Ulf Hannerz, not just offering a collection of considerate essays approximately present and destiny anthropological perform, but additionally spotlight Hannerz's nuanced and visionary pondering, an occasion that during my view may be of deep disciplinary significance." · Paul Stoller, West Chester collage
The scholarship of Ulf Hannerz is characterised through its notable breadth and visionary nature. He has contributed to the certainty of city existence and transnational networks, and the function of media, paradoxes of identification and new different types of neighborhood, suggesting to work out tradition when it comes to flows instead of as bounded entities. Contributions honor Hannerz' legacy by means of addressing theoretical, epistemological, moral and methodological demanding situations dealing with anthropological inquiry on subject matters from cultural range guidelines in Europe to transnational networks in Yemen, and from pottery and literature to multinational organisations.
Thomas Hylland Eriksen is Professor of Social Anthropology on the college of Oslo. His study in advanced societies levels from identification politics to the cultural implications of recent details know-how, and he now reports neighborhood responses to worldwide crises. His books comprise Ethnicity and Nationalism (1993/2010), Engaging Anthropology (2006) and Globalization: the major Concepts (2007/2014).
Christina Garsten is Professor of Social Anthropology at Stockholm collage and Professor of Globalization and association at Copenhagen company institution. She is usually Chair of Stockholm Centre for Organizational learn. Her contemporary books comprise Transparency in a brand new worldwide Order (2008, co-edited with Monica Lindh de Montoya), and Organisational Anthropology (2013, co-edited with Anette Nyqvist).
Shalini Randeria is Professor of Anthropology and Sociology on the Graduate Institute for foreign and improvement reviews. Her learn addresses problems with altering contours of legislations, coverage and governance; the interaction among foreign enterprises; and the kingdom and social activities in India. Her contemporary co-edited volumes comprise Border Crossings: Grenz- verschiebungen und Grenzüberschreitungen in einer globalisierten Welt, (2014) and Jenseits des Eurozentrisumus (2002/2013).
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Extra resources for Anthropology Now and Next: Essays in Honor of Ulf Hannerz
However finely tuned a recipe may be, however, all will come to naught if a pot is not properly fired. By “properly” I mean three things. 40 • Brian Moeran Firstly, the kiln in which pots are fired must reach an appropriate temperature, allowing their glazes to melt and cover their surfaces so that they are no longer porous. Secondly, that temperature (for Onta pottery, somewhere about 1,280°C) has to be reached at the right pace—neither too fast, nor too slow—because overheating can deform or crack the clay surfaces of a pot.
The potters of Sarayama were almost unique in this approach to their craft. This was what made their work almost automatically “beautiful”—a far cry from the standardized goods of mechanized industrial production. Leach wanted to witness first-hand what had already been lost in his home country, where—in spite of the repeated calls for a revival of traditional, popular arts and Juxtapositions: Social and Material Connectedness in a Pottery Community • 43 crafts by the likes of Carlyle, Ruskin, and Morris—industrialization had destroyed the beauty of handmade crafts many decades previously.
Anthropology’s World: Life in a Twenty-first Century Discipline. London: Pluto. Hardt, Michael and Antonio Negri. 2000. Empire. Cambridge, MA: Harvard University Press. Harvey, David. 1989. The Condition of Postmodernity. Oxford: Blackwell. Huntington, Samuel. 1996. The Clash of Civilizations and the Remaking of a World Order. New York: Simon and Schuster. Ibsen, Henrik. 1972/1867–8. ” Oxford: Oxford University Press. Maeckelbergh, Marianne. 2009. The Will of the Many: How the Alterglobalization Movement is Changing the Face of Democracy.
Anthropology Now and Next: Essays in Honor of Ulf Hannerz by Thomas Hylland Eriksen, Christina Garsten, Shalini Randeria