By Gertrude Chandler Warner
One morning Benny makes a decision that he desires to be in enterprise, similar to Grandfather Alden. Benny likes to consume, so he thinks that he'll like promoting nutrition. He will get correct to work—baking peanut butter cookies. yet quickly anything lousy happens—Watch eats all the batter! After that, Benny's problems purely worsen. Benny attempts many times. He understands that if he doesn't hand over, he'll locate the proper company to enter.
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Extra info for Benny Goes Into Business (The Boxcar Children: The Adventures of Benny and Watch Series, Book 5)
But what he selects, what selects . . itself in the rush as he clips out clichés from the more or less informed mass of possible discourses, letting himself be restricted by the situation, the interlocutors. This is what will betray his defenses in the end. . It is another way of remaining an exhibitionist around the edges. But whoever decided that all of this deserved to be published or that anything deserved to be published . . (Points, 49–51) The deconstruction of the interview construct: this is what is at stake, at risk, or in play in what I am calling the meta-interview, which would be an inadequate or misleading designation if it causes one to overlook that it also responds to an expectation for the interview, that is, it also accepts to play the game according to common rules, even as it exposes both the rules and expectations to shifts and even to surprises.
There is thus almost always in Derrida’s interviews an explicit meta-interview in which the interviewee switches the machine’s gears or rather points to the gears of the interview mechanism that is usually kept out of sight, whirring offstage, like the two reels of a tape recorder. I will take the first examples of this insistent trait from the long twopart interview published in the journal Digraphe in 1976. ”4 In the course of the replies that follow, Derrida will develop at some length the motif of the tape recorder’s two reels and cross it with the double-band motif of Glas, which had been published the previous year, 1974, and to which the interlocutors here have referred in their first question.
The possibility of the impossible can only be dreamed, but thinking, a quite different thinking of the relation between the possible and impossible, this other thinking . . perhaps has more affinity than philosophy itself with this dream. Even as you wake up, you would have to go on watching out for the dream, watching over it. (“Fichus,” 168) Il faudrait, tout en se réveillant, continuer de veiller sur le rêve: in order to watch over the future, expect the unexpected, listen for the change of tone, ready oneself for interruption.
Benny Goes Into Business (The Boxcar Children: The Adventures of Benny and Watch Series, Book 5) by Gertrude Chandler Warner