By student's edition by Alfred Cortot
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Extra info for Chopin: 12 Etudes Op. 10
Let me cite several examples, above all the fourth in the series of Variations on a Theme of Haydn, op. 56a, composed in 1873. __ M J 1 g 1 1 to ir V N— м -w 1L- Ы ■— I. /---Г ПК ■ — p --- n r — L f c J ---- 1 1 P I'r Malaia nichka Petrivochka # ф Щ Petrivchanka Andante M. 7 mm # #------- ^ — -Л-Ф________ И 1 46 Yakov Soroker Kupal's'ka Allegretto 1 |JV » f ----- 1Г Г г 8 Jf l М- И, 1ч*Т Pi р : rr РГ ------- 1 11 Example 42 The observant reader has no doubt noticed that the Brahms melody in question concludes in typical Ukrainian fashion, that is to say, in the melodic turn of the Hryts’ song.
Von Lobkowitz. The quartets of op. 59 in F Major, E Minor, and C Major were composed in 1805-6. The folk song “Akh, talan li moi, talan” (Oh, Fortune, My Fortune) was used as the main theme in the finale of the first quartet: 32 Yakov Soroker Example 29 This song, first published in the first edition of PraS’s 1790 collection, has traditionally been considered a Russian folk song, although one of its basic features indicates a kinship with the Ukrainian melos, namely a changing modality: the first theme is in a major key, the second in the parallel minor.
No German presented the East as accurately as he did in the dance of the dervishes in The Ruins of Athens. ”18 Glazunov indicated the presence of Slavic themes in such compositions as Twelve Variations for Piano and the string quartets dedicated to Rozumovsky. We know of at least three compositions by Beethoven based on Ukrainian folk melodies. The composer himself noted this fact in the titles of the respective compositions listed below: 26 Yakov Soroker 1. An arrangement of the song “Ikhav kozak za Dunai” (The Cossack Rode beyond the Danube) for voice with piano, violin and violoncello.
Chopin: 12 Etudes Op. 10 by student's edition by Alfred Cortot